Venice: The Latest Architecture and News

During the opening week of the 19th Venice Architecture Biennale, a consortium of six major architecture awards, including the Aga Khan Award for Architecture, the Holcim Foundation Awards, the EUmies Awards, the Mies Crown Hall Americas Prize, the OBEL Award, and the Ammodo Architecture Award, convened at TBA21–Academy's Ocean Space for a critical discussion titled "Beyond the Prize." This forum aimed to reflect on the role, relevance, and future potential of architecture awards amidst pressing social and environmental challenges. ArchDaily attended the public event and took the opportunity to ask the participants: What would the field of architecture look like if we stopped organizing architecture awards?

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The Canada Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia, hosted Picoplanktonics. A research that emerged as a radical rethinking of how architecture can become a platform that blends biology, computation, and fabrication to propose an alternative future, one where buildings don't just minimize harm, but actively participate in planetary repair. At its core lies a humble organism: marine cyanobacteria, capable of both capturing carbon and contributing to the material growth of the structure it inhabits. The project has been developed over 5 years by a group of researchers at ETH Zurich, led by Andrea Shin Ling and a group of interdisciplinary contributors and collaborators. Together, they formed the Living Room Collective, founded a year ago to build upon this work and showcase it at the Venice Biennale. The Core team members include Nicholas Hoban, Vincent Hui, and Clayton Lee. This conversation with the team behind the project shares the philosophy, technical challenges, and speculative horizons that animated their work from printing living sand lattices to maintaining microbial life in a public exhibition. Their aim is to inspire people to reconsider architecture not as a static object, but as a living, evolving process. One that requires care, patience, and a radical shift in mindset.

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CRA–Carlo Ratti Associati and Höweler + Yoon have unveiled images of AquaPraça, a floating gathering space for global climate dialogue set to anchor COP30 in Belém, Brazil. Currently under construction in northeastern Italy by steel construction company Cimolai, the project will be unveiled at the 19th International Architecture Exhibition of La Biennale di Venezia on 4 September 2025. It will then embark on a transatlantic journey to Brazil, where it will form part of the Italian Pavilion at COP30, held from 10 to 21 November 2025. Following the event, it is intended to become a permanent floating landmark in the Amazon as part of Belém's cultural infrastructure.

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The Serbian Pavilion at the 19th Venice Architecture Biennale consists of an immersive installation made of wool. The exhibition, titled Unraveling: New Spaces, was curated by architect Slobodan Jović and designed by an interdisciplinary team composed of Davor Ereš, Jelena Mitrović, Igor Pantić, Sonja Krstić, Ivana Najdanović, and Petar Laušević. The interior space of the Pavilion, located in the Biennale's Giardini, is occupied by an ephemeral installation that follows the principles of circular design, effectively producing no waste. The installation consists of a broad woven wool fabric that gradually unknits according to a guided choreography of algorithmic precision, completely disassembling by the end of the Biennale's exhibition.

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At the 19th International Architecture Exhibition, La Biennale di Venezia, the Dicastery for Culture and Education presents "Opera Aperta", a project that positions architecture as a practice of collective care and responsibility. Curated by Marina Otero Verzier and Giovanna Zabotti, Opera Aperta is set within the Santa Maria Ausiliatrice Complex in Venice's Castello district. Designed by Tatiana Bilbao ESTUDIO and MAIO Architects, the project transforms the 500-square-meter site into a space for collaborative restoration and public engagement. Conceived as a work in progress rather than a finished installation, Opera Aperta functions as a platform for ongoing exchange, participation, and engagement rooted in the local context. This open and process-oriented approach was recognized during the opening events, where the Holy See Pavilion received the Golden Lion's Special Mention for National Participation.

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The Diversity in Architecture (DIVIA) Award 2025 has been awarded to Vietnamese architect Trần Thị Ngụ Ngôn, founder of Tropical Space, in a ceremony held on 10 May 2025 at the European Cultural Centre, in Palazzo Mora in Venice. The award includes international recognition and a €10,000 prize, honoring women architects whose work contributes to cultural diversity and inclusion in architecture. This year's edition featured five other finalists: Carolina Rodas and Carla Chávez from Ecuador, Izaskun Chinchilla from Spain, Cazú Zegers from Chile, Patcharada Inplang from Thailand, and Surella Segú from Mexico, all of whom were presented as part of the Time Space Existence exhibition organized by the ECC.

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Kabage Karanja, co-founder and director of Cave_bureau based in Nairobi, Kenya, and Kathyrn Yusoff, professor of Inhuman Geography at the University of London, are the curators of the British Pavilion at the 19th Venice Architecture Biennale. Together, they form the UK-Kenya curatorial team behind GBR – Geology of Britannic Repair, an exhibition that rethinks the Pavilion as both a symbolic and material site. Their approach reflects on Britain's architectural legacy and its entanglement with histories of colonialism, geological extraction, and the urgency of the climate crisis. In recognition of their exploration of the relationship between Great Britain and Kenya, focusing on themes of reparation and renewal, the Pavilion curators and commissioner were awarded a Special Mention for National Participation by the Biennale jury. While on site in Venice, ArchDaily's editors had a chance to discuss with the curators about the ideas that shaped the British Pavilion.

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The Slovenian Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia presents Master Builders, a project curated by Ana Kosi and Ognen Arsov and organized by the Museum of Architecture and Design (MAO). The project addresses the evolution of construction technology, encompassing robotics, prefabrication, artificial intelligence, 3D printing, and other emerging tools, while drawing attention to a notable paradox within this technological shift, and also emphasizing that the quality of the built environment continues to rely heavily on the tacit knowledge of skilled craftsmen. By constructing a series of totems, the project examines the collaborative dynamics between architect and craftsman, revealing how this relationship shapes the material realization of architecture.

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Titled Paraíso, hoje. [Paradise, today.], the exhibition representing Portugal at the 19th International Architecture Exhibition – La Biennale di Venezia addresses architecture as a cultural construction of landscape. Curated by architects Paula Melâneo, Pedro Bandeira, and Luca Martinucci, landscape architect Catarina Raposo, and video artist Nuno Cera, it offers an immersive installation featuring videos created using new digital technologies and artificial intelligence, along with an Atlas of images. Together, they construct a critical exploration of the proposed theme, the allegory of a "Paradise." This year, the Portuguese exhibition changed location, moving from Palazzo Franchetti to the Fondaco Marcello building, next to Venice's Grand Canal. It will remain open to visitors and host a series of debates until 23 November 2025.

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The 19th edition of one of the world's most renowned architectural events opens to the public this week. The 2025 Venice Architecture Biennale, titled Intelligens. Natural. Artificial. Collective. and curated by Carlo Ratti, will run from Saturday, May 10, to Sunday, November 23, 2025. This year's edition stands out for both its scale and its expanded range of venues, partly due to the ongoing renovation of traditional sites such as the Central Pavilion in the Giardini. The event is set to transform Venice into what the curator describes as "a living laboratory."

The inauguration ceremony, to be held on May 10, will also feature the announcement of the official awards by the International Jury, chaired by Hans Ulrich Obrist and composed of Paola Antonelli and Mpho Matsipa. On this occasion, the Golden Lion for Lifetime Achievement will be presented to philosopher Donna Haraway, while the Special Golden Lion in Memoriam will honor the late architect Italo Rota. Alongside the international exhibition, national participations and a broad range of special events will explore the Biennale's invitation, making this one of the most extensive architecture exhibitions in the Biennale's history.

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