Saudi Architecture

The Aga Khan Award for Architecture (AKAA) has announced the 19 shortlisted projects for its 2025 cycle. Selected from a pool of 369 nominations, these projects will compete for a share of the USD 1 million prize, one of the most significant awards in the field. The shortlist was determined by an independent Master Jury composed of nine members: Azra Akšamija, Noura Al Sayeh-Holtrop, Lucia Allais, David Basulto, Yvonne Farrell, Kabage Karanja, Yacouba Konaté, Hassan Radoine, and Mun Summ Wong. The Jury will meet later this summer to review on-site evaluations and select the final recipients of the 16th Award Cycle (2023–2025).

Designed by Zaha Hadid Architects, construction works for the Asaan Museum have recently begun. Located in the historic At-Turaif district of Diriyah, Saudi Arabia, the Asaan Museum aims to be a new cultural institution designed to preserve and celebrate the nation's heritage. Deriving its name from the Arabic word meaning "inheritance passed down through generations," Asaan underscores its role in connecting past and present. Situated within a site renowned for its mud-brick architecture and centuries-old urban fabric, the museum draws inspiration from traditional Najdi building techniques. Planned to be constructed using locally sourced clay mud-bricks, Asaan Museum will mark Zaha Hadid Architects' first project to employ adobe construction.

Hotels are increasingly being designed as more than just places for accommodation. As expectations around travel shift, architects are approaching hospitality projects as opportunities to explore ideas of context, experience, and identity. Whether integrated into remote landscapes or inserted into dense urban environments, these proposals examine how architecture can shape the guest experience through spatial organization, material selection, and connection to place. The hotel becomes a framework not only for rest, but for interaction with the surroundings, with others, and with the design itself.

Barcelona-based architecture studio Bofill Taller de Arquitectura was commissioned to design the Royal Arts Complex (RAC) by the Royal Commission for Riyadh City in 2019. Currently under construction, the 320,000-square-meter building complex comprises thirteen structures, each contributing to the promotion of artistic expression. The project is located within King Salman Park, a 13.3-square-kilometer park being developed on the site of Riyadh's former airport. The broader development includes mixed-use projects to transform the area into a major recreational district. The overall masterplan also features a stadium by Populous, planned for the FIFA 2034 World Cup.

In recent weeks, a number of architecture firms have unveiled new projects that reflect an ongoing shift toward integrated, environmentally responsive urban planning. From Europe to the Middle East and North America, these proposals balance spatial innovation with long-term sustainability, whether through car-free living, passive performance strategies, or adaptive modular construction. While some projects reimagine infrastructure and public institutions, others explore how urban density can coexist with natural ecosystems. This edition of Architecture Now highlights a selection of recently announced masterplans, cultural buildings, and residential communities that offer new models for ecological and social resilience in the built environment.

For centuries, the heart of the Arabian Peninsula was a land of vast deserts and settlements shaped by their environment. This relationship with the landscape, materiality, and knowledge of the place has not only endured but now translates into a landscape gaining recognition on the global creative scene. From projects that emerge with a profound sensitivity to context to global exhibitions and awards that drive its evolution, the region is consolidating its architectural language—rooted in its history while oriented toward new explorations. Far from halting, this momentum continues to chart the path for its development, establishing the region as a platform in contemporary architectural discourse.

The national pavilion of the Kingdom of Saudi Arabia welcomes its first visitors at Expo 2025 Osaka. The latest photographs showcase Foster + Partners's design, aiming to create a spatial experience that evokes the character of Saudi Arabian towns and cities. Positioned at the Yumeshima waterfront, the pavilion offers visitors an engaging journey of discovery through the 'village' of meandering streets that alternate spaces of quiet reflection with venues for performances and cultural experiences.

A previous exploration of cultural landmarks in the Middle East designed by international architects highlighted recurring themes such as architecture as an extension of the landscape, climate-responsive design, and abstraction of traditional forms. These projects often introduced high-tech environmental solutions, used monumental forms to reinterpret local identity, or positioned themselves as landmarks within the broader urban or desert landscape. While these approaches have defined many of the region's most recognizable cultural institutions, they represent just one side of the architectural discourse. An equally significant yet distinct trajectory emerges from local architects, who work within existing structures, historical contexts, and lived environments to create institutions that feel deeply embedded in their surroundings. This approach prioritizes continuity, transformation, and accessibility, ensuring that architecture remains an evolving part of the cultural fabric rather than a self-contained object.

Education has long been a driving force in the Middle East, shaping knowledge, encouraging innovation, and strengthening cultural identity. In recent years, educational architecture in the region has expanded beyond its academic function, evolving into public gathering spaces and cultural hubs. These institutions are designed not only for learning but also for dialogue, research, and collaboration, often integrating open courtyards, multi-use public areas, and architectural elements that reflect local heritage. Whether through their physical openness, adaptability, or connection to the urban environment, these spaces reinforce the idea that universities and research centers are essential to civic life.

Glass bricks have been widely used in architecture, eventually becoming a staple of the 1980s architectural styles. Some examples of construction with this material could be the classic "Maison de Verre" by Pierre Chareau and Bernard Bijvoet in Paris or the more modern take of Hiroshi Nakamura & NAP with the Optical Glasshouse in Japan. In recent years, glass bricks are becoming increasingly popular, no longer relegated to older aesthetics. Instead, they have evolved into versatile design elements that bring light, texture, and character into contemporary interiors. Their ability to diffuse natural and artificial light while maintaining privacy has reignited interest among designers seeking innovative ways to enhance indoor spaces while taking advantage of natural light.