Copenhagen and Hamburg-based architecture office ADEPT has won first prize in the international competition to transform a former Karstadt warehouse in the historic center of Braunschweig, Germany, into the Haus der Musik. The 18,000-square-meter cultural complex will include a new concert hall, a public music school, and community-oriented spaces. Emphasizing adaptive reuse, the project retains the existing load-bearing structure and architectural rhythm, positioning the intervention as a continuation rather than a replacement.

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Every year, the Naomi Milgrom Foundation commissions an architect to design a temporary pavilion for the Queen Victoria Gardens, in the center of Melbourne's Southbank Arts Precinct. The pavilions are then transferred to the state of Victoria. The tenth edition of the MPavilion was designed by Pritzker Prize Laureate Tadao Ando as his first and only built work in Australia and the southern hemisphere. The pavilion opened on November 16, 2023, and its presence was extended until March 2025, hosting a wide-ranging program of cultural events over two summer seasons. With the cultural program now complete, it may soon face demolition. "Preserve the Pavilion" is a community-led, independent initiative supporting efforts to retain Tadao Ando's MPavilion 10, which is now seeking public support.

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The Aga Khan Award for Architecture (AKAA) has announced the 19 shortlisted projects for its 2025 cycle. Selected from a pool of 369 nominations, these projects will compete for a share of the USD 1 million prize, one of the most significant awards in the field. The shortlist was determined by an independent Master Jury composed of nine members: Azra Akšamija, Noura Al Sayeh-Holtrop, Lucia Allais, David Basulto, Yvonne Farrell, Kabage Karanja, Yacouba Konaté, Hassan Radoine, and Mun Summ Wong. The Jury will meet later this summer to review on-site evaluations and select the final recipients of the 16th Award Cycle (2023–2025).

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The proposed mixed-use tower at 175 Third Street is the fifth building planned across four sites within the Gowanus Wharf development in Brooklyn, New York. With views toward Manhattan and the Statue of Liberty, the 1,080,000 sq ft proposal includes affordable housing, retail and artist spaces, fitness areas, social and entertainment spaces, culminating in a rooftop with lounging zones and an outdoor pool. The project also envisions a 28,000-sq-ft public waterfront esplanade designed by Field Operations, intended to contribute to the ecological rehabilitation of the Gowanus Canal, continuing the broader transformation of this industrial neighborhood. Other project collaborators include dencityworks | architecture, AKRF, bucharest.studio, DeSimone, Ettinger Engineering Associates, Fried Frank, Hatfield Group, Impact Environmental, and Jenkins and Huntington.

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Expo 2025 officially opened its doors on April 13, 2025, on Yumeshima, a reclaimed island in Osaka Bay. Held under the theme "Designing Future Society for Our Lives," the event brings together over 150 countries and international organizations to address pressing global challenges through architecture, technology, and design. At the center of the Expo grounds stands the Grand Ring, a monumental circular structure designed by Japanese architect Sou Fujimoto. Spanning approximately 2 kilometers in circumference and rising to 20 meters in height, the timber structure encircles the main exhibition area and was recognised by Guinness World Records as "The largest wooden architectural structure".

Titled "The People of the Ring," this photo series by Stéphane Aboudaram documents the Grand Ring at Expo 2025 Osaka from a user's perspective, capturing both the structure and the visitors engaging with it.

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During the opening week of the 19th Venice Architecture Biennale, a consortium of six major architecture awards, including the Aga Khan Award for Architecture, the Holcim Foundation Awards, the EUmies Awards, the Mies Crown Hall Americas Prize, the OBEL Award, and the Ammodo Architecture Award, convened at TBA21–Academy's Ocean Space for a critical discussion titled "Beyond the Prize." This forum aimed to reflect on the role, relevance, and future potential of architecture awards amidst pressing social and environmental challenges. ArchDaily attended the public event and took the opportunity to ask the participants: What would the field of architecture look like if we stopped organizing architecture awards?

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Stantec, an architecture, engineering, and environmental consulting firm, has been selected as the winner of an international competition organized by the State Tax University (STU) to redesign its Main Campus building. The building was partially destroyed in 2022 during the early stages of the war. The international call for redesign proposals was launched in November 2024, free of charge and "open to all design bureaus, architectural firms, and individual architects from every corner of the globe." The goal of the competition was to develop a 21st-century educational building described as a "progressive and comfortable place for learning, research, and student leisure based on innovative educational standards," as stated in the competition announcement.

Lincoln Center for the Performing Arts, Inc. has revealed the design for the Amsterdam Avenue side of its campus, developed by Hood Design Studio, Weiss/Manfredi Architecture/Landscape/Urbanism, and Moody Nolan. Recently released renderings illustrate a transformation that includes a new outdoor performance venue, expanded community park spaces, and the removal of the existing wall along Amsterdam Avenue. In response to long-standing calls from both Lincoln Center and local communities, the construction is expected to begin in spring 2026 and be completed by spring 2028.

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Søren Pihlmann is the curator of the Danish Pavilion at the 2025 Venice Architecture Biennale. The exhibition, commissioned by the Danish Architecture Center, is titled Build of Site, and focuses on exploring sustainable architectural practices through the lens of reuse and resourcefulness. Pihlmann's proposal transforms the existing Danish Pavilion, located within a historic building complex in the Biennale's Giardini, into an active exhibition space for material experimentation. The installation highlights techniques that incorporate recycled and bio-based elements. The Pavilion offers visitors the opportunity to observe ongoing experimental processes, witnessing how building resources are creatively reimagined for new uses. In this on-site interview, ArchDaily editors spoke with the curator about the ideas behind the project and the challenges its execution represents.

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The V&A East Storehouse will open to the public for the first time on Saturday, 31 May 2025. Located in the Queen Elizabeth Olympic Park, the project is part of East Bank, a new cultural quarter supported by the Mayor of London. Designed by the internationally recognized architecture firm Diller, Scofidio + Renfro, the new facility serves as both a working store and a visitor destination. Following a decade of planning and extensive audience consultation, V&A East Storehouse is the first of V&A East's two new cultural destinations to open in East London. The second, V&A East Museum, is scheduled to open in spring 2026 and will explore the role of making and creativity as agents of change.

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CRA–Carlo Ratti Associati and Höweler + Yoon have unveiled images of AquaPraça, a floating gathering space for global climate dialogue set to anchor COP30 in Belém, Brazil. Currently under construction in northeastern Italy by steel construction company Cimolai, the project will be unveiled at the 19th International Architecture Exhibition of La Biennale di Venezia on 4 September 2025. It will then embark on a transatlantic journey to Brazil, where it will form part of the Italian Pavilion at COP30, held from 10 to 21 November 2025. Following the event, it is intended to become a permanent floating landmark in the Amazon as part of Belém's cultural infrastructure.

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The exhibition "Ma Yansong: Architecture and Emotion," presenting the work of Chinese architect Ma Yansong and his globally recognized practice MAD Architects, has opened at the Nieuwe Instituut in Rotterdam, the Netherlands' national museum for architecture, design, and digital culture. Featuring a selection of projects from MAD's international portfolio, the exhibition explores how the studio challenges conventional architectural paradigms through forms influenced by nature and guided by sensorial experience. The exhibition will be on view until 12 October, and on Thursday 26 June, Ma Yansong will be the guest of honour at the Nieuwe Instituut for "An Evening With...", a public program where he will discuss his design philosophy with Aric Chen.

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Danish maritime architecture studio MAST, in collaboration with construction company BIK Bouw, has designed a new floating community for the disused Spoorweghaven dock in Rotterdam, Netherlands. The proposed neighborhood, which has received initial support from the Municipality of Rotterdam, includes over 100 apartments, public spaces, commercial units, and a recreational harbor near the city center. Floating architecture is MAST's response to the Netherlands' housing crisis, offering a modular, adaptable solution for building a wide range of structures on water.

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The Empire State Development (ESD) Board of Directors has approved a major office-to-residential conversion project at 5 Times Square, New York City, as announced by the New York state government. Originally built in 2002 as the headquarters for Ernst & Young, with Kohn Pedersen Fox (KPF) as the design architect, the building has been largely vacant since the corporation vacated the premises in 2022, with vacancy rates remaining around 75 percent. Gensler's proposal aims to repurpose this underutilized office space into a mixed-use complex, introducing up to 1,250 new homes, including 313 permanently affordable units.

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The Serbian Pavilion at the 19th Venice Architecture Biennale consists of an immersive installation made of wool. The exhibition, titled Unraveling: New Spaces, was curated by architect Slobodan Jović and designed by an interdisciplinary team composed of Davor Ereš, Jelena Mitrović, Igor Pantić, Sonja Krstić, Ivana Najdanović, and Petar Laušević. The interior space of the Pavilion, located in the Biennale's Giardini, is occupied by an ephemeral installation that follows the principles of circular design, effectively producing no waste. The installation consists of a broad woven wool fabric that gradually unknits according to a guided choreography of algorithmic precision, completely disassembling by the end of the Biennale's exhibition.

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Studio Gang, led by Jeanne Gang, has revealed its design for the Colorado 150 Pedestrian Walkway, a new civic infrastructure project commissioned by Governor Polis and the America 150-250 Commission. Spanning 11,000 square feet, the walkway is conceived as both a connective urban thread and a commemorative landscape, marking the 150th anniversary of Colorado's statehood. Strategically sited in downtown Denver, the intervention links key public spaces and monuments, enhancing pedestrian accessibility while fostering a layered experience of art, culture, and history. Set to be completed by July 2026, various features, such as viewing platforms, monuments, new public artworks by Colorado-based artists, play areas, and interpretive elements, aim to invite users to explore, gather, and reflect along the route.

The preliminary design for the architectural restoration and functional redevelopment of the Roman Theatre was presented on Tuesday, April 8, 2025, at the Auditorium of the Santa Giulia Museum in Brescia. The project was developed by the Milan office of David Chipperfield Architects, commissioned by the Fondazione Brescia Musei in collaboration with the Municipality of Brescia and the Brescia Chamber of Commerce, Industry, Handicraft, and Agriculture. Chipperfield was tasked with identifying the essential architectural elements to guide future design phases, leading to the drafting of the Technical-Economic Feasibility Project (PFTE) and the final project, including the necessary authorizations. This initiative is financially supported by the Italian Chamber of Commerce under a 2019 ministerial decree prioritizing cultural heritage, especially where it enhances tourism.

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At the 19th International Architecture Exhibition, La Biennale di Venezia, the Dicastery for Culture and Education presents "Opera Aperta", a project that positions architecture as a practice of collective care and responsibility. Curated by Marina Otero Verzier and Giovanna Zabotti, Opera Aperta is set within the Santa Maria Ausiliatrice Complex in Venice's Castello district. Designed by Tatiana Bilbao ESTUDIO and MAIO Architects, the project transforms the 500-square-meter site into a space for collaborative restoration and public engagement. Conceived as a work in progress rather than a finished installation, Opera Aperta functions as a platform for ongoing exchange, participation, and engagement rooted in the local context. This open and process-oriented approach was recognized during the opening events, where the Holy See Pavilion received the Golden Lion's Special Mention for National Participation.

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